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T H E A R T S P O R T A L

The arts or creative arts are a vast range of human practices of creative expression, storytelling, and cultural participation. The arts encompasses multiple diverse and plural modes of thinking, doing, and being, in an extremely broad range of media. Both dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized, and sometimes intricate forms. This is often achieved through sustained and deliberate study, training, and/or theorizing within a particular tradition, across generations, and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgements, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space.

Prominent examples of the arts include: visual arts (including architecture, ceramics, drawing, filmmaking, painting, photography, and sculpting), literary arts (including fiction, drama, poetry, and prose), and performing arts (including dance, music, and theatre). They can employ skill and imagination to produce objects and performances, convey insights and experiences, and construct new environments and spaces.

The arts can refer to common, popular, or everyday practices as well as more sophisticated, systematic, or institutionalized ones. They can be discrete and self-contained or combine and interweave with other art forms, such as the combination of artwork with the written word in comics. They can also develop or contribute to some particular aspect of a more complex art form, as in cinematography. By definition, the arts themselves are open to being continually redefined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.

As both a means of developing capacities of attention and sensitivity and as ends in themselves, the arts can simultaneously be a form of response to the world and a way that our responses and what we deem worthwhile goals or pursuits are transformed. From prehistoric cave paintings to ancient and contemporary forms of ritual to modern-day films, art has served to register, embody, and preserve our ever-shifting relationships to each other and to the world. (Full article...)

Outline of performing arts
Outline of the visual arts

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The pilot episode of the television series Smallville premiered on The WB on October 16, 2001. It was written by series developers Alfred Gough and Miles Millar, and directed by David Nutter. The Smallville pilot introduces the characters of Clark Kent, an orphaned alien with superhuman abilities, and his friends and family who live in the fictional town of Smallville, Kansas. It follows Clark as he first learns of his alien origins, and attempts to stop a vengeful student from killing Smallville High School students. The episode introduces many themes that were designed to run either the course of the season or the entire series, such as the triangular relationships of the main characters.

Production was set in Vancouver, Canada, used for its "middle America" landscape, with five months devoted to casting the right actors in the lead roles. Filming for the pilot officially began four days after the last actor was cast for the series. When time constraints would not allow the production crew to physically create the sets, computer-generated imagery was used to digitally insert set pieces into a scene. When the series premiere was broadcast, it broke several of The WB's viewership records. It was generally well received by critics, and was nominated for various awards, winning two. (Full article...)
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Front panels of the shrine

The Corp Naomh ([kɔɾˠpˠ n̪ˠiːvˠ], KORP NEEV, English: Holy or Sacred Body) is an Irish bell shrine made in the 9th or 10th century to enclose a now-lost hand-bell, which probably dated to c. 600 to 900 AD and belonged to an early Irish saint. The shrine was rediscovered sometime before 1682 at Tristernagh Abbey, near Templecross, County Westmeath. The shrine is 23 cm (9.1 in) high and 12 cm (4.7 in) wide. It was heavily refurbished and added to during a second phase of embellishment in the 15th century, and now consists of cast and sheet bronze plates mounted on a wooden core decorated with silver, niello and rock crystal. It is severely damaged with extensive losses and wear across almost all of its parts, and when discovered a block of wood had been substituted for the bell itself. The remaining elements are considered of high historical and artistic value by archeologists and art historians.

Sections from its original, early Medieval phase include the cross on the reverse and the ornate semi-circular cap, which shows a bearded cleric holding a book. He is surrounded by horsemen above whom are large birds seemingly about to take flight. It was extensively refurbished in the 15th (and possibly 16th) centuries when the central bronze crucifix, the griffin and lion panel, the stamped border panels and the backing plate were added. The badly damaged crucifix and large enamel stud on the front date from at least the 15th century. (Full article...)
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Photograph of the Beulé Gate from the south-west.

The Beulé Gate (French pronunciation: [bœ'le]) is a fortified gate, constructed in the Roman period, leading to the Propylaia of the Acropolis of Athens. It was constructed almost entirely from repurposed materials (spolia) taken from the Choragic Monument of Nikias, a monument built in the fourth century BCE and demolished between the second and fourth centuries CE. The dedicatory inscription from Nikias's monument is still visible in the entablature of the Beulé Gate.

The gate was integrated into the Post-Herulian Wall, a late Roman fortification built around the Acropolis in the years following the city's sack by the Germanic Heruli people in 267 or early 268 CE. Its construction marked the beginning of a new phase in the Acropolis's use, in which it came to be seen more as a potential defensive position than in the religious terms that had marked its use in the classical period. During the medieval period, the gate was further fortified and closed off, before being built over with a bastion in Ottoman times. (Full article...)
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First edition cover

The Bread-Winners: A Social Study is an 1883 novel by John Hay, former secretary to Abraham Lincoln who in 1898 became U.S. Secretary of State. The book takes an anti-organized labor stance, and when published anonymously sold well and provoked considerable public interest in determining who the author was.

The plot of the book revolves around former army captain Arthur Farnham, a wealthy resident of Buffland (an analog of Cleveland). He organizes Civil War veterans to keep the peace when the Bread-winners, a group of lazy and malcontented workers, call a violent general strike. He is sought in marriage by the ambitious Maud Matchin, daughter of a carpenter, but instead weds a woman of his own class. (Full article...)
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Vedel depicted on a Ukrainian commemorative stamp

Artemy Lukyanovich Vedel (13 April [O.S. 1 April] 1767 – 26 July [O.S. 14 July] 1808), born Artemy Lukyanovich Vedelsky, was a Ukrainian-born Russian composer of military and liturgical music. He produced works based on Ukrainian folk melodies, and made an important contribution in the music history of Ukraine. Together with Maxim Berezovsky and Dmitry Bortniansky, Vedel is recognised by musicologists as one of the "Golden Three" composers of 18th century Ukrainian classical music, and one of Russia's greatest choral composers.

Vedel was born in Kyiv, the son of a wealthy wood carver. He studied at the Kyiv-Mohyla Academy until 1787, after which he was appointed to conduct the academy's choir and orchestra. In 1788, he was sent to Moscow to work for the regional governor, but he returned home in 1791 and resumed his career at the Kyiv-Mohyla Academy. General Andrei Levanidov recruited him to lead Kyiv's regimental chapel and choir—under Levanidov's patronage, Vedel reached the peak of his creativity as a composer. He moved with Levanidov to the Kharkov Governorate, where he organised a new choir and orchestra, and taught at the Kharkiv Collegium. (Full article...)
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"Daisy", sometimes referred to as "Daisy Girl" or "Peace, Little Girl", is an American political advertisement that aired on television as part of Lyndon B. Johnson's 1964 presidential campaign. Though aired only once, it is considered one of the most important factors in Johnson's landslide victory over the Republican Party's candidate, Barry Goldwater, and a turning point in political and advertising history. A partnership between the Doyle Dane Bernbach agency and Tony Schwartz, the "Daisy" advertisement was designed to broadcast Johnson's anti-war and anti-nuclear positions. Goldwater was against the Nuclear Test Ban Treaty and suggested the use of nuclear weapons in the Vietnam War, if necessary. The Johnson campaign used Goldwater's speeches to imply he would wage a nuclear war.

The commercial begins with three-year-old Monique Corzilius standing in a meadow, picking the petals of a daisy as she counts from one to ten incorrectly. After she reaches "nine", she pauses, and a booming male voice is heard counting the numbers backward from "ten", in a manner similar to the start of a missile launch countdown. A zoom of the video still concentrates on the girl's right eye until her pupil fills the screen, which is then replaced by the flash and sound of a nuclear explosion. A voice-over by Johnson states emphatically, "These are the stakes! To make a world in which all of God's children can live, or to go into the dark. We must either love each other, or we must die." (Full article...)
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View of the main entrance

The Cloisters, also known as the Met Cloisters, is a museum in the Washington Heights neighborhood of Upper Manhattan, New York City. The museum, situated in Fort Tryon Park, specializes in European medieval art and architecture, with a focus on the Romanesque and Gothic periods. Governed by the Metropolitan Museum of Art, it contains a large collection of medieval artworks shown in the architectural settings of French monasteries and abbeys. Its buildings are centered around four cloisters—the Cuxa, Saint-Guilhem, Bonnefont and Trie—that were acquired by American sculptor and art dealer George Grey Barnard in France before 1913, and moved to New York. Barnard's collection was bought for the museum by financier and philanthropist John D. Rockefeller Jr. Other major sources of objects were the collections of J. P. Morgan and Joseph Brummer.

The museum's building was designed by the architect Charles Collens, on a site on a steep hill, with upper and lower levels. It contains medieval gardens and a series of chapels and themed galleries, including the Romanesque, Fuentidueña, Unicorn, Spanish, and Gothic rooms. The design, layout, and ambiance of the building are intended to evoke a sense of medieval European monastic life. It holds about 5,000 works of art and architecture, all European and mostly dating from the Byzantine to the early Renaissance periods, mainly during the 12th through 15th centuries. The objects include stone and wood sculptures, tapestries, illuminated manuscripts and panel paintings, of which the best known include the c. 1422 Early Netherlandish Mérode Altarpiece and the c. 1495–1505 Flemish Hunt of the Unicorn tapestries. (Full article...)
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Tracing of an engraving of the Sosibios vase by Keats

"Ode on a Grecian Urn" is a poem written by the English Romantic poet John Keats in May 1819, first published anonymously in Annals of the Fine Arts for 1819 (see 1820 in poetry).

The poem is one of the "Great Odes of 1819", which also include "Ode on Indolence", "Ode on Melancholy", "Ode to a Nightingale", and "Ode to Psyche". Keats found existing forms in poetry unsatisfactory for his purpose, and in this collection he presented a new development of the ode form. He was inspired to write the poem after reading two articles by English artist and writer Benjamin Haydon. Through his awareness of other writings in this field and his first-hand acquaintance with the Elgin Marbles, Keats perceived the idealism and representation of Greek virtues in classical Greek art, and his poem draws upon these insights. (Full article...)
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Title page of volume I

Brother Jonathan: or, the New Englanders is an 1825 historical novel by American writer John Neal. The title refers to Brother Jonathan, a popular personification of New England and the broader United States. The story follows protagonist Walter Harwood as he and the nation around him both come of age through the American Revolution. The novel explores cross-cultural relationships and highlights cultural diversity within the Thirteen Colonies, stressing egalitarianism and challenging the conception of a unified American nation. It features mixed-race Anglo-Indigenous characters and depicts them as the inheritors of North America. The book's sexual themes drew negative reactions from contemporary critics. These themes were explicit for the period, addressing female sexual virtue and male guilt for sexual misdeeds.

Literature scholars have praised Brother Jonathan's extensive and early use of realism in depicting American culture and speech. Using phonetic transcriptions, the dialogue documents a wide range of regional accents and colloquialisms. Included in the dialogue is a likely-accurate depiction of American Indian English, and what may be American literature's earliest attempt to express a wide range of emotion using children's natural speech patterns. Neal's characterizations of American character and speech were praised in the UK but derided in the US. The author nevertheless considered them central to developing an American literature distinct from British precedent. (Full article...)
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Pinkerton is the second studio album by the American rock band Weezer, released on September 24, 1996, by DGC Records. The guitarist and vocalist Rivers Cuomo wrote most of Pinkerton while studying at Harvard University, after abandoning plans for a rock opera, Songs from the Black Hole. It was the last Weezer album to feature bassist Matt Sharp, who left the group in 1998.

To better capture their live sound, Weezer self-produced Pinkerton, creating a darker, more abrasive album than their self-titled 1994 debut. Cuomo's lyrics express loneliness and disillusionment with the rock lifestyle; the album is named after the character BF Pinkerton from Giacomo Puccini's 1904 opera Madama Butterfly, whom Cuomo described as an "asshole American sailor similar to a touring rock star". Like the opera, the album contains references to Japanese culture. (Full article...)
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Kitab al-Hadi al-Muhammadi fi'l-Tibb al-Nabawi (Treatise on Prophetic Medicine) with the tughra (monogram, left) of Suleiman the Magnificent, 1520

Empire of the Sultans: Ottoman Art of the Khalili Collection was a 1995–2004 touring exhibition displaying objects from the Khalili Collection of Islamic Art. Around two hundred exhibits, including calligraphy, textiles, pottery, weapons, and metalwork, illustrated the art and daily life of six centuries of the Ottoman Empire. Many of the objects had been created for the leaders of the empire, the sultans. Two of the calligraphic pieces were the work of sultans themselves.

In the 1990s, the exhibition was hosted by institutions in Switzerland, the United Kingdom, and Israel. It visited thirteen cities in the United States from 2000 to 2004, a period when Islam became especially controversial due to the September 11 attacks and the subsequent wars in the Middle East. Critics described the exhibition as wide-ranging and informative. They praised it for showing beautiful art works – naming the calligraphy in particular – and for presenting a fresh view of Islam. Catalogues were published in English and French. (Full article...)
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Brettingham in a portrait by John Theodore Heins, 1749

Matthew Brettingham (1699 – 19 August 1769), sometimes called Matthew Brettingham the Elder, was an 18th-century Englishman who rose from modest origins to supervise the construction of Holkham Hall, and become one of the best-known architects of his generation. Much of his principal work has since been demolished, particularly his work in London, where he revolutionised the design of the grand townhouse. As a result, he is often overlooked today, remembered principally for his Palladian remodelling of numerous country houses, many of them situated in the East Anglia area of Britain. As Brettingham neared the pinnacle of his career, Palladianism began to fall out of fashion and neoclassicism was introduced, championed by the young Robert Adam.

Born in Norwich, into a family of craftsmen, Brettingham worked initially as a surveyor, gaining experience through jobs for the city's civic authorities. Work included restorations at Norwich Cathedral, at the castle, at the local prison and the shire hall. His professional ascent began in 1743 with his appointment to the post of Clerk of Works at Holkham. The succeeding decades saw many aristocratic commissions, predominantly in East Anglia, but including work at Kedleston Hall in Derbyshire. (Full article...)
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San Lorenzo Colossal Head 4, now at the Museo de Antropología de Xalapa

The Olmec colossal heads are stone representations of human heads sculpted from large basalt boulders. They range in height from 1.17 to 3.4 metres (3.8 to 11.2 ft). The heads date from at least 900 BC and are a distinctive feature of the Olmec civilization of ancient Mesoamerica. All portray mature individuals with fleshy cheeks, flat noses, and slightly-crossed eyes; their physical characteristics correspond to a type that is still common among the inhabitants of Tabasco and Veracruz. The backs of the monuments often are flat. The boulders were brought from the Sierra de Los Tuxtlas mountains of Veracruz. Given that the extremely large slabs of stone used in their production were transported over large distances (over 150 kilometres (93 mi)), requiring a great deal of human effort and resources, it is thought that the monuments represent portraits of powerful individual Olmec rulers. Each of the known examples has a distinctive headdress. The heads were variously arranged in lines or groups at major Olmec centres, but the method and logistics used to transport the stone to these sites remain unclear. They all display distinctive headgear and one theory is that these were worn as protective helmets, maybe worn for war or to take part in a ceremonial Mesoamerican ballgame.
The discovery of the first colossal head at Tres Zapotes in 1862 by José María Melgar y Serrano was not well documented nor reported outside of Mexico.
The excavation of the same colossal head by Matthew Stirling in 1938 spurred the first archaeological investigations of Olmec culture. Seventeen confirmed examples are known from four sites within the Olmec heartland on the Gulf Coast of Mexico. Most colossal heads were sculpted from spherical boulders but two from San Lorenzo Tenochtitlán were re-carved from massive stone thrones. An additional monument, at Takalik Abaj in Guatemala, is a throne that may have been carved from a colossal head. This is the only known example from outside the Olmec heartland. (Full article...)
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Northampton War Memorial, officially the Town and County War Memorial, is a First World War memorial on Wood Hill in the centre of Northampton, the county town of Northamptonshire, in central England. Designed by architect Sir Edwin Lutyens, it is a Stone of Remembrance flanked by twin obelisks draped with painted stone flags standing in a small garden in what was once part of the churchyard of All Saints' Church.

Discussion of a war memorial for Northampton began shortly after the armistice in 1918, and from July 1919 a temporary wooden cenotaph stood on Abington Street in the town centre. The Northamptonshire War Memorial Committee commissioned Lutyens to design a permanent memorial. The monument's design was completed and approved quickly, but its installation was delayed by six years until the site could be purchased from the Church of England, which required a faculty from the local diocese. The memorial was finally unveiled on 11 November 1926 after a service and a parade including local schoolchildren and civic leaders. (Full article...)
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"Mother's Day", also known as the "Rugrats Mother's Day Special" or "Rugrats Mother's Day", is the second episode of the fourth season of the American animated television series Rugrats and the show's 67th episode overall. It revolves around the holiday from the perspective of a group of babies—Tommy Pickles, Chuckie Finster, and Phil and Lil Deville. Tommy, Phil, and Lil attempt to find the perfect mother for Chuckie (who is raised only by his father Chas) while sharing their favorite memories about their moms. At the end of the episode, Chuckie's mother is revealed to have died of a terminal illness. It concludes with Chuckie and Chas looking through a box of her belongings, including a poem she had written for her son. Meanwhile, Didi Pickles tries to plan the perfect Mother's Day with her mom Minka, while Betty DeVille helps Stu Pickles with his invention to help mothers.

Norton Virgien and Toni Vian directed the episode from a script by Jon Cooksey, Ali Marie Matheson, J. David Stem, David N. Weiss, Susan Hood, and Ed Resto. Series co-creator Paul Germain had pitched two potential storylines to explain the absence of Chuckie's mother, but Nickelodeon executives rejected his proposed ideas that the mother was either divorced from Chas or had died. Before "Mother's Day" premiered, only minor references to Chuckie's mother had been made. Germain left the show in 1993, and several new writers replaced him. The concept was later revised and approved as a Mother's Day special. Germain said that he was disappointed at being unable to cover the topic during his time on the series. (Full article...)

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Ricardo Almendáriz

Credit: Artist: Ricardo Almendáriz; Restoration: Lise Broer

An ink-and-wash illustration of a stucco relief on a building in Palenque, a Maya city in southern Mexico that flourished in the 7th century, but was abandoned around 800. It was first discovered by European explorers in the 16th century, but remained mostly unexplored until 1773. This particular piece was likely constructed during the long reign of K'inich Janaab' Pakal (mid-7th century), and is thought to depict Mayan ancestral rulers or the parents thereof. The standing figure holds a sceptre in the left hand, and in the right, a length of material. The seated figures adopt a posture of submission or deference, with hands placed on opposite shoulders.

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... that Frank Lloyd Wright's textile block work, Storer House (pictured), was restored in the 1980s by Joel Silver, producer of the films Die Hard and The Matrix?
... that Swiss illustrator Albert Lindegger was responsible for murals at the headquarters of the cantonal police and the crematorium in Berne?
... that U.S. Presidents Lyndon B. Johnson and Harry S. Truman once lived in the Kennedy-Warren Apartment Building?

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In this month

9 June 1904 – The London Symphony Orchestra, conducted by Hans Richter, plays its first concert
18 June 1964 – Italian painter Giorgio Morandi, whose still lifes and landscapes were noted for their tonal subtlety, dies in Bologna at the age of 73
20 June 1703 – The Love Suicides at Sonezaki by Chikamatsu Monzaemon, often considered the greatest Japanese dramatist, receives its first performance
24 June 1924 – Efua Sutherland, a foundational figure in modern Ghanaian drama, is born in the Cape Coast region of Ghana
29 June 1861 – Elizabeth Barrett Browning (pictured), one of the most prominent poets of the Victorian era, dies in Florence at the age of 55

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William Bruce was a Scottish gentleman-architect, "the effective founder of classical architecture in Scotland", as Howard Colvin observes. A key figure in introducing the Palladian style into Scotland, he has been compared to the pioneering English architects Inigo Jones and Christopher Wren, and to the contemporaneous English introducers of French style in domestic architecture Hugh May and Roger Pratt. Bruce played a role in the Restoration of Charles II, carrying messages between the exiled king and General Monck, and was rewarded with lucrative official appointments, including that of Surveyor General of the King's Works in Scotland, effectively the "king's architect". His patrons included the Duke of Lauderdale, the most powerful man in Scotland at the time. Despite his lack of technical expertise, he worked with competent masons and professional builders, to whom he imparted a classical vocabulary; thus his influence was carried far beyond his own aristocratic circle. Beginning in the 1660s he built and remodelled a number of country houses, including Thirlestane Castle for the Duke of Lauderdale, and Hopetoun House. Among his most significant work was his own Palladian mansion at Kinross, built on the Loch Leven estate which he had purchased in 1675. (Full article...)

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Kyrie eleison

An example of Kyrie eleison being performed as a Gregorian chant, directed by Fr. Dariusz Smolarek SAC.

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“

In my view, the composer, just as the poet, the sculptor or the painter, is in duty bound to serve Man, the people. He must beautify human life and defend it. He must be a citizen first and foremost, so that his art might consciously extol human life and lead man to a radiant future. Such is the immutable code of art as I see it.

”

— Sergei Prokofiev

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